Kafani

Kafani is an Oakland born rapper with tons of potential.  He came up in grimy East Oakland and now resides in a two-story suburban condo in Concord. The walls of his bedroom studio are plastered with Saks Fifth Avenue advertisements and publicity posters for his new album, Money Is My Motivation. A pile of sparkly bling jewelry lies neatly on his desk, right between the giant mixing board and a vase of flowers. The inside of his CD jacket shows a pile of cash rubber-banded in tidy, individual stacks. Atop them sits a diamond-studded pendant carved to form the words “Ice King.” It’s shot in the same soft focus you’d expect in a Playboy centerfold. Kafani is the ice king.

Kafani

Kafani

On a recent Wednesday afternoon, Kafani sits at his dining room table answering phone calls. He’s dressed casually: red T-shirt, impeccable tennis shoes, princess-cut diamond studs (two per ear), and a rose-gold grill with diamonds. The three hieroglyphics tattooed on his neck — “money, power, respect” — serve as a motivational slogan. “Whatever class that I was in, as far as social class, I was always toward the top — the flossy one,” the rapper says. “If what was in was having a $50 ring, I had that, a $100 chain, or whatever it would be.

Kafani – Get That Dough

In high school he played basketball and baseball and developed a sports mentality that he eventually brought to the rap game. “I guess in sports you wanna win, you’re gonna try to win,” he says. “I’m an opportunist. If I get an opportunity to do something, I’ll do it.” Fittingly, his signature word is “fast” — a term he deploys in multiple contexts. In the MC’s lexicon, a fast person is aggressive, unsentimental, and purely pragmatic — someone with grit, a hustler’s mentality, and the ability to shift on a dime. Kafani thinks and talks fast — in phone conversations he demands to get things “fast, like, ASAP.” And he wants his money fast.

Kafani credits his cousin for extending his buzzword into “fast like a NASCAR,” a phrase that was the genesis of the rapper’s hit single. Last November, Kafani and his stepbrother, Kapacity — of Kafani’s former rap group Babyface Assassins — went into the studio and started messing with the phrase. They chopped and screwed the “fast” to make it sound slurry, and then tried whispering the “like a NASCAR” part. “It sounded good, you feel me?” Kafani says. He e-mailed the raw vocals to backpacker producer Amp Live, who produced the NASCAR beat — a giddy Afro-Cuban drum pattern that mixes snare and clave — while sitting in his tour van in Germany.

The combination of a hair-trigger beat and primordial, chant-like hook made “Fast” an instant club hit. After Bay Area DJs broke the song on their mix shows, local radio stations got an onslaught of listener requests. Within weeks the song was ubiquitous. In May he brokered a deal with popular indie label Koch, home of East Bay kingpin Keak da Sneak, who guest-stars on the NASCAR song. Kafani then recorded a fourteen-track bubblegum rap album in three months — roughly half the songs still get regular spins on KMEL.

Kafani loves brinksmanship so much that his album includes a ballad about squashing competition. Called “Hatin’ on Me,” it pairs a smooth, groove-driven beat — the kind that would normally be reserved for memorializing a fallen comrade or serenading a hot girl — with a gorgeous R&B hook by C. Holiday, over which Kafani raps, We stay with that big shit/Big chips, big clips, and I stay rich.

The song culminates with a spoken “breakdown,” in which Kafani replaces the come-ons of old-school soul artists with a sermon about making money: “This is Kafani the Ice King, man. I came from the streets, man. I came from that hood, man. You know what I’m talk about? I been in jail and the pen … And I did it, man and succeeded, man. You can do it too.” C. Holiday helps shore up the sentimentality with an American Idol-style cadenza. Though Money Is My Motivation does include one flirtatious R&B number (“Cutie Pie”), “Hatin’ on Me” is the album’s real love song.

It’s also Kafani’s confessional track. He was, indeed, in the pen, and he does view his prison stint as a test of character. Kafani served a two-year sentence from 2002 to 2004 for robbery, during which the “New Bay movement” started popping in Oakland and Richmond. “When I got out of jail, the Team was real big,” he says. “They was playing the ‘Hot In Herre’ song on the radio real tough. I was hearing Frontline. I don’t think Fab was on the radio at the time but he was grinding. I was like, one of the last of the Mohicans to actually make it to be on the radio.”

Kafani’s out to make club hits, and makes no bones about it: “First the beat, second the hook, and everything else is irrelevant.” He describes his artistic process in the same language an entrepreneur would use to describe a marketing strategy: “‘Fast Like a NASCAR’ is a household name, but Kafani’s not. So I have to find ways to brand myself,” he says matter-of-factly. Despite the bling and the fantasy of class ascent that inspired his album title, Kafani actually has a fairly realistic sense of his own importance. “I haven’t been in the game as long as, say, a Messy Marv,” the MC explains. “He really doesn’t need the radio. Me as an artist, I’m as good as my next single.”

Philthy Rich

Philthy Rich

Philthy Rich is an emerging artist from the Bay-Area.  Check out his new Hip-Hop video called, “Funk or Die.”

Lil Mama

Lil Mama

Lil Mama

While rappers who sport the prefix Lil’ might be a dozen, there is nothing common about 17-year-old Lil’ Mama. The teenag rap phenomenon’s first commercial hit “Lip Gloss” is fastly becoming a celebratory anthem for girls of all ages. But unlike kiddie rappers who rely heavily on short-sited gimmicks, Lil’ Mama is a multi-faceted artist who boasts the ability to sing, rap and write her own material. Her Jive Records debut, Voice of The Young People explores the mindset of a young woman who is truly wise beyond her years.

Growing up between Brooklyn’s rough East New York section and Harlem, Lil’ Mama was forced to overcome both personal and financial struggles at an early age. As one of eight brothers and sisters, the rapper born Niatia Kirkland started to express herself artistically as a little girl through poetry and dance. When she was just 10-years-old, Lil’ Mama decided to try and put a rhythm behind her poems.

“Between the ages of 10 and 12 I started finding myself with rap,” remembers Mama. “That’s when I was writing and my father got me into the studio and I recorded some of my first songs. They were more like freestyles. I would take someone else’s beat and write a rhyme to it using my own hook.”

By the time Lil’ Mama started attending Brooklyn’s Edward R.Murrow high school she was creating all original material. “I started recording my own songs over original beats, coming up with ideas and letting my imagination really come through my music,” she says. “My father really helped me develop as an artist. He basically built me around knowing how to express myself. There’s different lanes I take you through with my music. People might think, ‘Am I normal for thinking that way?’ I’m just letting you know I think that way too.”

While Lil’ Mama’s musical career was starting to fall into place, her personal life took a turn for the worse. In 2003 she learned her mother was diagnosed with colon cancer. As she had always done in the past, Mama came to terms with her emotions through her music. In 2006, Mama teamed up with Ali Samii (former DMX’s manager) of Xtra Mile Production and headed out to Atlanta where she got the chance to record with Nappy Roots’ producer James “Groove” Chambers.Together they recorded seven songs, including “Lip Gloss,” which would quickly find its way onto New York’s home for hip-hop and R&B, Hot 97.

“I was going to a Hot 97 free concert and I went to meet up with DJ Enuff to get tickets and I told him I wanted him to play some of my joints on the radio,” says Lil’ Mama. “He gave me this long speech about how he can’t really play music from unknown artist’s so I was like, ‘You have to hear my record!’ So we got in the car and I put it on and he’s like, ‘Oh this beat is crazy!’ He played it on the air the next day.”

DJ Enuff wasn’t the only industry heavyweight to take notice of Lil’ Mama’s wide ranging appeal. Dave Lighty, the Senior A&R at Jive Records was also floored by the 17-year-old’s instant smash and immediately set out to track her down. “One story I heard was my manager’s friend is friends with somebody who is friends with Dave Lighty,” explains Mama. “I guess that’s how he found me.”

On January 10, 2007 Barry Weiss (Presidentof Jive) officially signed the 5′2″ rapper to Jive Records. Now with her major label deal to her credit, Lil’ Mama has been in and out of various recording studios in New York, Atlanta and Miami and has worked with famed producers like Swizz Beatz and Scott Storch. Her debut album, Voice of The Young People features a wide range of musical and topical issues.Somber songs like “Life” explore a foster child’s journey and the hardships of a pregnant teenager.

“Everybody’s talking about the same things on the radio-murder, sex and drugs,” says Mama. “They have people behind them telling them it’s cool and I disagree. There are so many more people struggling and going through so much and to hear somebody brag about the jewelry and stuff like that, it’s overrated.”

With 17 hard years behind her, Lil’ Mama is determined to fill her future with greatness. “People should know that I’m coming from the bottom and I’m going go to the top,” she states with utter confidence. “I see myself as an artist who was built on influences. I feel like I have a little bit of everything in me ’cause I take heed to my environment. So I’m offering you everything that I’ve learned in my life and what I’ve become.”

And just like that, a new star is born.

Ace Hood Gutta Album Drops September 23

Ace Hood Hip-Hop Album

Ace Hood Hip-Hop Album

Ace Hood’s debut Hip-Hop album entitled “Gutta” releases on Septemeber 23, 2008.  The Miami rapper is currently on blast thanks to the huge success of “Cash Flow”, the Florida anthem that features T-Pain and Rick Ross. “Since I’m amongst the best, expectations are very high. As far as features, the whole movement is behind me. I have Flo-Rida, Tricky Daddy, Rick Ross, T-Pain, Lil Wayne, Akon, Cool & Dre, DJ Nasty and we have more to come because it’s not even done,” adds Ace.

Like every new artist, Ace Hood found himself pushing his product at his city’s local hip hop radio station when DJ Khaled, who plays as a regular DJ on the air at 99 Jamz in Miami, Florida, approached him.  Ace had the complete package, and just couldn’t resist in reaching out to the young musician.  “Me and Khaled hooked up through 99 Jamz.  I presented him with my material: a bio, my cd; and based on his first impression of me, he loved what he saw. He heard the music, called my manager back at 11:30 p.m. that same night saying how he loved my stuff,” Ace said.

Fospassin aka The Golden Boy is Dirty Crunk

Fospassin aka Golden Boy has the Web 2.0 game on lock.  Originally from Nigeria, Foasspin is a big fan of Crunk and Dirty South music, so much so, he became a member of Streetball.com and uploaded his mixtape for the world of ballers to see.  Check out Foasspin’s Video called “Dirty Crunk” made with Streetball.com’s online video editor called the Mixtape Maker.

The Golden Boy

The Golden Boy

About Fospassin

Fospassin aka “Golden Boy” is a Hip-Hop artist who has been all over the world to present “The new way hiphop with alternative”.

Tight rythmes, great chorus and excellent productions brought his music at the top level of arts and entertainment.

Fantastic composer and energetic singer-dancer, he has been awarded more than 15 times in 2 years.

His music life has never been easy because most of radio stations and televisions here deal only with big artists names with no talent.

“I’m not a big artist with no talent like them. I have the talent… I`m a good singer, excellent dancer, sexy flat artist at the top level. I don`t care who they are and i don`t care what they do…They have big names with no talent. What are they singing about? And those radios and televisions want me to be like them? I`ll never… They need to be like me…” Golden Boy (Fospassin) said.

“Very nice treatment, appropriate attitude and believable sincerity, Golden Boy wants us to be fair by giving the chance to others to get heard because there are a lot of talented artists out there who don`t have the way to be listened to. We noticed that big things are made for big names. That`s not how the music entertainment world should be treated.”

Magazines, radio stations, televisions and gigs are no more fair because we need to be part of their partners to be discovered. The world is going on the wrong way.

Golden Boy (Fospassin) has published 8 albums “Ragtime,” “Dirty Crunk“, “Top Hip Hop”,”Golden Boy in the hood”,”La Pression”,”Action 6″,”Top Feeling”,”Hot Sexy” all of them available on Amazon.com, itunes, rhapsody, napster, emusic, connect and others.

Stay focused with the new way hiphop with Golden Boy (Fospassin) the sexy artist and the best dancer in the world. “Ragtime Golden Boy” is the last released on itunes. The internet is there to give power to talented artists like golden Boy (Fospassin) today. He does not need to appear on Mtv or BET to sell more than 500.000 downloads, but he is on Streetball.com. Golden boy Fospassin is the internet artist revolution.

Check out Fospassin’s Video “Dirty Crunk” at Streetball.

DJ Drama

Born and raised between West Philadelphia and the city’s Germantown sections, DJ Drama became a fan of DJ culture since copping his very first mixtape. It was DJ S&S’s Old School Part 2- after a trip to New York City with his older sister. But it wasn’t until being captivated by Omar Epps’ character DJ Gee Q in classic hip hop film Juice would he step behind the ones and twos himself.

Early on, DJ Drama created a local buzz selling Hip-Hop mixtapes in his high school and deejaying at house parties. After graduation, he moved down south to attend college at Clark Atlanta University and brought his hustle game along with him. He began peddling mixtapes on campus with a catalog that included a reggae series, instrumental series and neo-soul series. But his bread and butter came when he dropped his first southern-based tape Jim Crow Laws, his fastest-selling tape to date.

DJ Drama

DJ Drama Mixtapes
Quickly recognizing the demand for southern mixes, he renamed the series to Gangsta Grillz and asked then-upcoming crunk king Lil Jon to host. It was an instant hit. Before long, Drama got a call from Grand Hustle co-CEO Jason Jeter, who wanted DJ Drama to do something that had never been done before- compile an album-like mix tape with only artists from the label’s group Pimp $quad Click. And classic mix tapes from many of the rap game’s top players came back to back.

“The brand has been the success of many careers- myself included. It’s helped Young Jeezy’s career; it’s helped DJ Don Cannon’s career. It’s helped the Aphiliates’ career; it’s helped T.I.’s career. It’s helped the streets,” Drama insists.

Ballgreezy

Throughout the ups and downs of the turbulent world of Hip-Hop, Iconz recording artist Kinta Cox professionally known as Ballgreezy or “Greezy” has managed to make his mark in the game. His melodic and captivating single entitled “Shone”, produced by Gorilla Tek, is hypnotizing the streets and setting off major label alarms everywhere!

Ballgreezy \"I\'m Da Shit\"

Ballgreezy comes from one of Miami’s fierce neighborhoods referred to as Little Haiti with his seven siblings. As a teenager, Greezy attended Miami Edison Senior High School, where he honed a natural talent for football and discovered his potential to succeed as an athlete. However, Greezy knew that his maximum potential was greater than sports. “The coaches wanted me to play on the team as the quarterback but I was into bringing quarters back”, Greezy says sarcastically. Subsequently, his life took a different stage. He turned to the life of the streets and was solely driven by the love for money; determined to do whatever it took to get it. Quickly discovering that the street life was not the answer, Ballgreezy then capitalized on the guidance of his older brother and discovered his genuine ability to rap. “If I wasn’t rappin’ I’d be trappin’”, he says in a swaggering manner. “When the block got hot I would jump in the studio with my brother. Then I got addicted to goin’ there and I promised him I would blow in this rap game”.

In 2001 Ballgreezy began transiting into a true master of the microphone and made several guest appearances on local rap artists’ music compilations. In 2003, Ballgreezy put out his debut mix CD entitled “Straight Drop” causing mass hysteria throughout his hood in Little Haiti. By 2005, Ballgreezy’s local popularity led to a recording contract with Iconz Music. He has since shared the stage with numerous A-list, platinum recording artists such as Lil’ Wayne, Trick Daddy, Scarface, Trina and G-Unit.

Presently, Ballgreezy’s hit single “Shone,” is hypnotizing the airways and has mapped him in the industry as a force to be reckoned with. The song has a very mainstream appeal as intended by Ballgreezy. “I’m on a grown and sexy vibe right now; making music for the ladies,” said Greezy. The word “Shone” is a widely used slang term for “action” when making reference to singles chasing a little ‘ak-shone’ after the club.

Ballgreezy’s innate lyrical abilities and melodic inclinations serve as platforms for greatness in the music industry. He is currently in the studio working with various producers and recording artists putting together what he calls “a classic Greezy album” for release in the Spring of 2009.

Tech N9NE Strange Noize 2 Tour Dates

Kottonmouth Kings & Tech N9ne Headline Strange Noize Tour, America’s Biggest Underground Music Festival, Alongside (Hed)p.e, Sen Dog (Cypress Hill), X-Clan

The biggest and most notorious underground rock and hip-hop festival, Strange Noize, has returned as this summer’s hottest ticket. This year’s festival will be co-headlined by rip-hop hybrids, Kottonmouth Kings, and Kansas City’s Tech N9ne, with support on all dates coming from (Hed)p.e., Sen Dog (Cypress Hill) and hip-hop legends X-Clan.

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“We realized the extreme force that was created after last year’s Strange Noize Tour,” says Kottonmouth Kings frontman Daddy X. “It was the intensity and electricity that I haven’t seen at a show in years. I don’t think there were any fans leaving dry or unhappy. The second year will be a big middle finger to the detractors and haters in the industry that fail to recognize the magnitude of this underground movement.”

“The first tour was a wild and crazy party – the second one is gonna be a madhouse,” says an excited Tech 9Ne. “I can’t wait to get back on tour with my family. I hope we keep doing these because they’re off the chain!”

The Strange Noize music festival debuted in 2007 and quickly became one of the summer’s hottest tickets. The tour united two of America’s biggest independent record labels – Suburban Noize and Strange Music – for one summer music festival that sold out over 40 dates across the country. The tour was a powerful message to the music industry that underground music could infiltrate the masses on a large scale with a sound too loud to be ignored any longer.

The KOTTONMOUTH KINGS are deep into the recording of their tenth studio album, “The Green Album” in Burbank, CA. The album is due for release in Fall 2008 through Suburban Noize Records.

TECH N9NE’s newest release, “Killer” hits stores July 1, 2008 through Strange Music. The album is the highly-anticipated follow-up to “Everready (The Religion)”, and features guest appearances from some of rap’s most compelling artists including Ice Cube, Scarface, Kottonmouth Kings, Dirtball, Mista Fab and Paul Wall.

The innovators of G-punk, (Hed)pe are gearing up to tour in support of their first ever live album and DVD release, “The DIY Guys”, which is set for release July 8, 2008 through Suburban Noize Records. The CD portion will contain three brand new studio recordings, a live performance captured at Hollywood’s legendary Key Club, and previously unreleased songs.

After nearly two decades as co-emcee of the seminal rap group Cypress Hill, Sen Dog is poised to attack hip-hop’s jugular with the release of his first solo album, “Diary Of A Mad Dog.” The album marks an untethered opportunity for Sen Dog to again gnaw away at genre lines and conventionalism – on his own terms.
Since making a triumphant comeback with the critically acclaimed “Return From Mecca”, X-Clan has been hard at work on their upcoming studio album “Mainstream Outlaws“, due for release in late 2008. One of the genre’s most influential crews of all-time, X-Clan continues their legacy of conscious and uplifting hip-hop wisdom.

Exclusive Fan V.I.P packages will be made available through www.KottonmouthKings.com and www.TheRealTechN9ne.com. Packages will include tickets to the show, meet and greet with the artists before the show, limited edition t-shirt, posters and CDs. The tour will be sponsored by FYE, SRH Clothing and Havoc TV.

STRANGE NOIZE 2 TOUR DATES:
July 30 Tempe, AZ @ Marquee Theatre
July 31 Las Vegas, NV @ House of Blues
Aug 01 Anaheim, CA @ The Grove
Aug 02 San Franciscio, CA @ Grand Ballroom
Aug 04 Portland, OR @ Roseland Theatre
Aug 06 Seattle, WA @ Moore Theatre
Aug 07 Post Falls, ID @ Greyhound Park
Aug 08 Bozeman, MT @ Gallatin County Fairgrounds
Aug 09 Magna, UT @ The Great Salt Air
Aug 10 Denver, CO @ Fllmore
Aug 12 Fargo, ND @ The Venue
Aug 13 St. Paul, MN @ Myth
Aug 14 Milwaukee, WI @ The Rave
Aug 15 SAUGET, IL @ Pop’s
Aug 16 Chicago, IL @ House of Blues
Aug 17 Chicago, IL @ House of Blues
Aug 19 New York, NY @ Grand Ballroom
Aug 20 Philadelphia, PA @ Electric Factory
Aug 21 Worcester, MA @ The Palladium
Aug 22 Baltimore, MD @ Rams Head Live
Aug 23 Cleveland, OH @ Agora Theater *** (Hed)p.e will not be performing
Aug 24 Detroit, MI @ The Fillmore
Aug 25 Columbus, OH @ The LC Pavilion
Aug 26 Grand Rapids, MI @ The Orbit Room
Aug 28 Sioux Falls, SD @ Ramkota Exhibit Hall
Aug 29 Tulsa, OK @ Cain’s Ballroom
Aug 30 Bonner Springs, KS @ Capitol Federal Park
Aug 31 Wichita, KS @ Cotillion Ballroom